ALAÃA Over The Knee Boot in Noir - Black. Size 37 (also in 36, 38, 39, 40).
Gender
Women
Status
In stock
Details
ALAÃA Over The Knee Boot in Noir - Black. Size 37 (also in 36, 38, 39, 40). Suede upper and leather sole. Pull-on styling. Cut-out styling. Leather footbed and lining. Approx 65mm/ 2.5 inch heel Approx 686mm/ 27 inch shaft Shaft measures approx 16 in circumference. ALIA-WZ247. 3O058CK311. About the designer: The late Azzedine Alaïa had a comprehensive understanding of the female form, thanks to an education in sculpture from Ãcole des Beaux-Arts. Revered for his bodycon silhouettes that defined the aesthetic of Paris in the â80s, the Tunisian designer was also known for his intricate footwear, statement bags and laser-cut accessories.
Details
ALAÃA Over The Knee Boot in Noir - Black. Size 37 (also in 36, 38, 39, 40). Suede upper and leather sole. Pull-on styling. Cut-out styling. Leather footbed and lining. Approx 65mm/ 2.5 inch heel Approx 686mm/ 27 inch shaft Shaft measures approx 16 in circumference. ALIA-WZ247. 3O058CK311. About the designer: The late Azzedine Alaïa had a comprehensive understanding of the female form, thanks to an education in sculpture from Ãcole des Beaux-Arts. Revered for his bodycon silhouettes that defined the aesthetic of Paris in the â80s, the Tunisian designer was also known for his intricate footwear, statement bags and laser-cut accessories.
ALAÃA Over The Knee Boot in Noir - Black. Size 37 (also in 36, 38, 39, 40). Suede upper and leather sole. Pull-on styling. Cut-out styling. Leather footbed and lining. Approx 65mm/ 2.5 inch heel Approx 686mm/ 27 inch shaft Shaft measures approx 16 in circumference. ALIA-WZ247. 3O058CK311. About the designer: The late Azzedine Alaïa had a comprehensive understanding of the female form, thanks to an education in sculpture from Ãcole des Beaux-Arts. Revered for his bodycon silhouettes that defined the aesthetic of Paris in the â80s, the Tunisian designer was also known for his intricate footwear, statement bags and laser-cut accessories.
