ALAÏA Edition 1986 Long Skirt in Noir - Black. Size 42 (also in ).
Gender
Women
Status
In stock
Details
ALAÏA Edition 1986 Long Skirt in Noir - Black. Size 42 (also in ). 100% viscose. Made in Italy. Dry clean only. Unlined. Lace-up tie closure at side. Bandage inspired silhouette with flounce hem. Fluid viscose knit fabric with a sheen finish. Item not sold as a set. ALIA-WQ13. AA9J2088TM655. About the designer: The late Azzedine Alaïa had a comprehensive understanding of the female form, thanks to an education in sculpture from École des Beaux-Arts. Revered for his bodycon silhouettes that defined the aesthetic of Paris in the ‘80s, the Tunisian designer was also known for his intricate footwear, statement bags and laser-cut accessories.
Details
ALAÏA Edition 1986 Long Skirt in Noir - Black. Size 42 (also in ). 100% viscose. Made in Italy. Dry clean only. Unlined. Lace-up tie closure at side. Bandage inspired silhouette with flounce hem. Fluid viscose knit fabric with a sheen finish. Item not sold as a set. ALIA-WQ13. AA9J2088TM655. About the designer: The late Azzedine Alaïa had a comprehensive understanding of the female form, thanks to an education in sculpture from École des Beaux-Arts. Revered for his bodycon silhouettes that defined the aesthetic of Paris in the ‘80s, the Tunisian designer was also known for his intricate footwear, statement bags and laser-cut accessories.
ALAÏA Edition 1986 Long Skirt in Noir - Black. Size 42 (also in ). 100% viscose. Made in Italy. Dry clean only. Unlined. Lace-up tie closure at side. Bandage inspired silhouette with flounce hem. Fluid viscose knit fabric with a sheen finish. Item not sold as a set. ALIA-WQ13. AA9J2088TM655. About the designer: The late Azzedine Alaïa had a comprehensive understanding of the female form, thanks to an education in sculpture from École des Beaux-Arts. Revered for his bodycon silhouettes that defined the aesthetic of Paris in the ‘80s, the Tunisian designer was also known for his intricate footwear, statement bags and laser-cut accessories.
